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Shadows and Fog

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Shadows and Fog
Theatrical release poster
Directed byWoody Allen
Written byWoody Allen
Produced byRobert Greenhut
Charles Joffe (executive)
Jack Rollins (executive)
Starring
CinematographyCarlo Di Palma[1]
Edited bySusan E. Morse
Production
company
Distributed by
Release date
  • December 5, 1991 (1991-12-05)[3]
Running time
85 minutes
CountryUnited States
LanguageEnglish
Budget$14 million
Box office$2,735,731

Shadows and Fog is a 1991 American black-and-white comedy film directed by Woody Allen and based on his one-act play Death (1975). It stars Allen, Mia Farrow, John Malkovich, Kathy Bates, David Ogden Stiers, Jodie Foster, Donald Pleasence, Lily Tomlin, John Cusack, Madonna, and Kenneth Mars. It was filmed on a 26,000-square-foot (2,400 m2) set at Kaufman Astoria Studios, which was the biggest set ever built in New York. It was also Allen's last film for Orion Pictures.

Shadows and Fog is an homage to German Expressionist filmmakers Fritz Lang, G. W. Pabst and F. W. Murnau in its visual presentation, and to the writer Franz Kafka in theme. Critical reception of the film was generally mixed.

Plot

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Kleinman is awakened from his sleep by a vigilante mob, which claims to be looking for a serial killer and therefore to be needing his help. Kleinman's landlady gives him a bag containing pepper. Irmy and her boyfriend Paul, a pair of circus performers, quarrel about getting married and having a baby. Paul leaves and goes to another tent where he has sex with Marie, another artist. Seeing this, Irmy runs to the city and enters a brothel. A student named Jack, besotted by Irmy, offers her increasingly large sums to have sex with him. She finally succumbs when the sum reaches $700.

Kleinman visits a coroner's house and has a glass of sherry with him. But after he leaves, the coroner is murdered by the killer. Kleinman comes to the police station to protest a local family's eviction. There, the police talk about the coroner's murder, saying that they have a clue about the killer in the fingerprints on the sherry glass. A panicked Kleinman meets Irmy in the police station, who had been arrested at the brothel for prostitution. She protests against the police calling her "whore,” and in the confusion Kleinman confiscates the evidence. Irmy is allowed to leave the police station after a $50 fine, and she meets Kleinman outside. Together they start exploring the city, seeing its different scenes — a man peeping into a woman's room, a starving mother and child, a church — and decide to go back.

Paul arrives in the city looking for Irmy. He goes into a bar where Jack is having a drink. The student reflects on the wonderful experience he had with "a sword-swallower,” shocking Paul. Kleinman and Irmy return to his place to stay but are refused entry by his fiancée. They go to the pier but are ambushed by the vigilante mob who find the sherry glass in Kleinman's pocket. Thinking him to be the killer, they decide to lynch Irmy and Kleinman, but the latter uses the pepper spray and they escape.

Meanwhile, Irmy and Paul meet, and at first Paul is ready to kill Irmy for sleeping with another man. They break off their fight when they find the starving woman murdered, and the baby lying on the ground. They decide to keep the child and return to the circus. Kleinman comes to the brothel searching for Irmy but is unable to find her. From his rival at work, he learns about the circus leaving the town and decides to follow it. At the circus, Kleinman meets the magician Armstead, whom he greatly admires. The murderer arrives and tries to kill them but is thwarted by Armstead. Kleinman becomes Armstead's assistant on the circus and Irmy and Paul continue their careers as circus performers, while raising their newfound child.

Cast

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Soundtrack

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  • The Cannon Song from Little Threepenny Music (1928) - By Kurt Weill - Performed by Canadian Chamber Ensemble
  • The Cannon Song from Little Threepenny Music (1928) - By Kurt Weill - Performed by London Sinfonietta
  • When Day Is Done (1926) - Written by Robert Katscher & Buddy G. DeSylva - Performed by Jack Hylton and His Orchestra
  • Ja, Ja die Frau'n sind meine schwache Seite - Written by Kurt Schwabach & Augustin Egen - Performed by Jack Hylton and His Orchestra
  • Prologue from the Seven Deadly Sins (1934) - Music by Kurt Weill - Text by Bertolt Brecht
  • Alabama Song(1930) - By Kurt Weill (1927) & Bertolt Brecht - Performed by Marek Weber
  • Moritat from the Three Penny Opera (1928) - By Kurt Weill and Bertolt Brecht - Performed by Berlin Staatsoper
  • When the White Lilacs Bloom Again (1928) - Music by Franz Doelle - Poem by Fritz Rotter - Performed by The Jack Hylton Orchestra[4]

Reception

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Box office

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After its premiere in 1991, Shadows and Fog opened to wide release on March 20, 1992 in 288 North American cinemas. In its first three days, it grossed $1,111,314 ($3,858 per screen). It finished its run with $2,735,731.[5] It did not turn up in the United Kingdom until February 1993, where it attained a total gross of only £87,622.[6]

Its production budget has been estimated at $14 million.[5]

Critical response

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Shadows and Fog received a mixed response from critics and holds an approval rating of 54% on the review aggregator Rotten Tomatoes from 28 reviews, with an average rating of 6/10. The critical consensus reads: "Shadows and Fog recreates the chiaroscuro aesthetic of German Expressionism, but Woody Allen's rambling screenplay retreads the director's neurotic obsessions with derivative results."[7]

Vincent Canby of The New York Times gave the film modest praise, writing,"Like 'Zelig,' 'Shadows and Fog' is a pastiche of references to the works of others, but it's a brazen, irrepressible original in the way it uses those references." He added, "A note of caution: 'Shadows and Fog' operates on its own wavelength. It is different. It should not be anticipated in the manner of other Allen films. It's unpredictable, with its own tone and rhythm, even though, like all of the director's work, it's a mixture of the sincere, the sardonic and the classically sappy."[8] Variety similarly wrote, "Exquisitely shot in black & white, Woody Allen's Shadows and Fog is a sweet homage to German expressionist filmmaking and a nod to the content of socially responsible tales since narrative film began. Allen's fans will regard this as a nice try that falls short."[9]

Desson Thomson of The Washington Post wrote:

There's nothing particularly objectionable about Woody Allen's "Shadows and Fog." That's part of the problem. This black-and-white seriocomedy, set in the 1920s, is an amiable ramble through some of Allen's favorite themes and European film movements. It has a small army of guest stars and a fair offering of Allen jokes. But it's also flat and peakless. It doesn't conclude so much as stop. There's nothing to take home but your feet.[10]

In 2016 film critics Robbie Collin and Tim Robey ranked Shadows and Fog as one of the worst movies by Woody Allen.[11]

Recalling the film’s critical and commercial failure in his 2020 memoir, Apropos of Nothing, Allen joked that “the filming of Shadows and Fog went off without a hitch except for the movie.”[12] Allen also states in his memoir that he "knew the film was destined for commercial doom," but made the movie regardless, disdaining artistic fear he says would yield "safe middle-of-the-road projects," and, summarizing the finished product, added: "It’s not a bad idea but you have to be in the mood for it, and marketing tests showed it did not appeal to homo sapiens."[13]

Accolades

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Award Category Recipient Result
David di Donatello Awards[6] Best International Film Shadows and Fog Won
Nastro d'Argento (Silver Ribbon) Awards[14] Best Cinematography Carlo Di Palma Won

References

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  1. ^ Howe, Desson (March 20, 1992). ""Shadows and Fog" (PG-13)". www.washingtonpost.com. Archived from the original on 25 September 2020. Retrieved 31 May 2020.
  2. ^ "Shadows and Fog (1992)". BBFC. Retrieved 9 January 2022.
  3. ^ "Release dates for Shadows and Fog" Archived 2019-09-08 at the Wayback Machine. Internet Movie Database. Retrieved July 19, 2011.
  4. ^ Harvey, Adam (2007). The Soundtracks of Woody Allen. US: Macfarland & Company,Inc. p. 123. ISBN 9780786429684.
  5. ^ a b "Shadows and Fog". Archived from the original on 2014-04-01. Retrieved 2007-07-31.
  6. ^ a b Fox, Julia (1996). Woody: Movies from Manhattan. B.T. Batsford. p. 220. ISBN 0713480297.
  7. ^ "Shadows and Fog (1992)". Rotten Tomatoes. Archived from the original on September 4, 2015. Retrieved September 18, 2015.
  8. ^ Canby, Vincent (March 20, 1992). "Review/Film; Woody Allen on the Loose in Kafka Country". The New York Times. Archived from the original on March 25, 2016. Retrieved September 18, 2015.
  9. ^ "Review: 'Shadows and Fog'". Variety. December 31, 1991. Archived from the original on March 5, 2016. Retrieved September 18, 2015.
  10. ^ Howe, Desson (March 20, 1992). "'Shadows and Fog' (PG-13)". The Washington Post. Archived from the original on March 5, 2016. Retrieved September 18, 2015.
  11. ^ "All 47 Woody Allen movies - ranked from worst to best". The Telegraph. October 12, 2016. Archived from the original on January 18, 2021. Retrieved February 12, 2017.
  12. ^ "Apropos of Nothing by Woody Allen review - a life and an accusation". The Guardian. April 9, 2020. Archived from the original on April 13, 2020. Retrieved April 14, 2020.
  13. ^ Apropos of Nothing by Woody Allen. March 23, 2020.
  14. ^ "Ombre E Nebbia (Shadows and Fog)". Garage. Scriptorium: 167. 1995. ISBN 978-88-86231-27-5.
[edit]
  • Shadows and Fog at IMDb
  • ‹The template AllMovie title is being considered for deletion.› Shadows and Fog at AllMovie
  • Shadows and Fog at the AFI Catalog of Feature Films
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